Sopraanblokfluit methodes

Het bewijs dat leren best leuk kan zijn, wordt geleverd door de muziekboeken van TOM STONE. Alle kinderen zijn dol op de leuke liedjes, de grappige maar duidelijke uitleg, de spannende muzikale avonturen èn de vrolijke tekeningen

Het bewijs dat leren best leuk kan zijn, wordt geleverd door de muziekboeken van TOM STONE. Alle kinderen zijn dol op de leuke liedjes, de grappige maar duidelijke uitleg, de spannende muzikale avonturen èn de vrolijke tekeningen

Het bewijs dat leren best leuk kan zijn, wordt geleverd door de muziekboeken van TOM STONE. Alle kinderen zijn dol op de leuke liedjes, de grappige maar duidelijke uitleg, de spannende muzikale avonturen èn de vrolijke tekeningen

Blokfluiten met begeleiding van een heus combo. Dat is niet alleen leerzaam, maar ook nog eens geweldig leuk. Eenvoudige liedjes klinken opeens "vol" en professioneel!. Een geweldige stimulans voor iedere beginner op blofluit, maar ook de iets gevorderde speler zal veel plezier beleven aan het samenspelen met deze CD.

The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor)

The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own method at each stage. The less experienced will benefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themselves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standard work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) Descant Tutors provide a sound-playing technique, a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor, carols, attractive rounds, and melodies by 'early music' composers. Clear line drawings greatly assist the pupil, making them especially suitable for self-instruction.

Book one of the highly popular recorder course in three stages designed for children aged 7-11 years with accompanying CD. Book 1 Introduces the first six notes through a mixture of well-known and original tunes. By the end of the book all the basic rhythm patterns have been covered.

The leading recorder course for 7 year olds and up, carefully graded with clear explanations and teaching points, encouraging the development of musical skills and sound recorder technique. The Teacher's Books include simple piano accompaniments, guitar chord symbols, chime bar charts and lots of ideas for classroom music-making.

Book 2 of this excellent recorder course in 3 stages, designed for children aged 7 upwards with accompanying CD. Recorder From The Beginning assumes no previous knowledge of either music or the recorder, and full explanations are provided at ever stage so that specialist teaching is not essential.This new coloured edition of the book has allowed more emphasis on activities directly related to aspects of Music in the National Curriculum

Book 3 of this excellent recorder course in 3 stages, designed for children aged 7 upwards with accompanying CD. Recorder From The Beginning assumes no previous knowledge of either music or the recorder, and full explanations are provided at ever stage so that specialist teaching is not essential.This new coloured edition of the book has allowed more emphasis on activities directly related to aspects of Music in the National Curriculum.