3 saxofoons

3 altsaxofoons

This instrumental series contains selected themes from the box office sensation Harry Potter and the Sorcerer's Stone./ Playable by any combination of instruments -- large ensembles, small ensembles, or solos -- the arrangements capture the wonderful sounds from the movie. Fingering charts are included. Titles are: Hedwig's Theme * Diagon Alley * Hogwarts Forever * Nimbus 2000 * Cast a Christmas Spell * Harry's Wondrous World.

AAT

3 gelijkgestemde saxofoons

3 altsaxofoons

3 altsaxofoons

Deze qua stijl gevarieerde stukken zijn allemaal geschreven in moderne dansritmes: van trance en R&B tot de conga en samba. De cd bevat demoversies en begeleidingen. Samen met een drummer, die de meegeleverde drumpartij kan gebruiken, klinken de stukken nog beter. Altsax of Tenorsax.

This work is basically composed as a trio. The fourth part is optional and is not technically challenging. It will give a beginner a chance to play along with the more experienced players. The variations are based on "Down By the Riverside", "Nobody Knows the Trouble I´ve Seen", "When the Saints" and other well-known spirituals. Medium easy; optional 4th part, very easy. (AAT/T] or AAA/T or ATT/T)

A highly flexible series of books designed to encourage young people to play together in various combinations of numbers and instruments, perfect for group tuition. Book 1 offers 19 easy-intermediate trios for alto and tenor sax using familiar melodies arranged in classical, folk and jazz styles, including Country Garden, God Rest Ye Merry Gentlemen, Mexican Hat Dance, Sailor's Hornpipe. This collection can be used for solo, duet or trio playing, and can also be used with matching arrangements of the same material in Book 1 for Brass, Violin, Clarinet, Flute. An optional piano accompaniment book is available.

Here are 19 easy-intermediate arrangements of familiar melodies in classical, folk and jazz styles. Each tune is presented as a trio, but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute, Clarinet, Brass and Violin editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one, two or three saxophones - with or without accompaniment. May also be used with matching arrangements in Book 2 editions of this series for Flute, Clarinet, Brass or Violin. Optional Piano Accompaniment book with guitar chord symbols available. Ideal for individual or classroom use.

A mix and match collection of 21 easy-intermediate trios arranged for Saxophone using familiar Christmas melodies including 'Deck The Hall', 'Silent Night' and 'Jingle Bells'. These trios can be performed with any other combination of instruments within the Christmas series.

Thirty easy trios for Saxophone using familiar melodies arranged in classical, folk and jazz styles. This book can be used with matching arrangements of the same material in Junior Book A- Flute, Clarinet,Violin, Brass. An Optional Piano Accompaniment book with guitar chords is available- PM221765R

Here are 27 easy-intermediate arrangements of familiar melodies in classical, folk and jazz styles. Each tune is presented as a trio, but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute, Clarinet, Brass and Violin editions in Junior Book B of this series.This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one, two or three saxophones - with or without accompaniment ,May also be used with matching .Arrangements in Junior Book B editions of this series for Flute, Clarinet, Brass or Violin .Optional Piano accompaniment book with guitar chord symbols available Ideal for individual or classroom use

Transcribed for alto, tenor and baritone. Includes Inventions No. 1-15.

Bach composed the Trio Sonatas for organ BWV 525 – 530 between 1727 and 1730 when he was Thomaskantor in Leipzig. Bach’s first biographer Johannn Nikolaus Forkel states that he composed them for his son Wilhelm Friedemann, “who had to practice them in order to become the great organist he later turned into. One cannot say enough about their beauty.“ As early as the middle of the 18th century, the first arrangement for violin, violoncello and bass was written. Countless versions for other instruments followed. Mozart arranged three movements for violin, viola and violoncello. In the 20th century Bartók and Kabalevsky made versions for piano solo. The trio sonata as a baroque genre usually employs four players: two solo parts (violin, flute or oboe), a bass part (violoncello, violone or bassoon) and the continuo part (organ, harpsichord or flute). Bach’s Sonatas for organ require highly independent hands and feet and subtle differentiation to portray the three parts as two individual instruments accompanied by a bass line. Obviously, the pedal part is not as virtuosic as it would be for the left hand of a keyboard player. And that makes it even more suitable for a less experienced tenor or baritone saxophone player in the present edition. To give those players who are not yet familiar with baroque music some ideas, I have included a few suggestions. Bach gave tempo instructions for all but the first movement. The metronome markings provide some orientation; the players should adjust the tempo according to their musical taste and capabilities. Except for the slurs at the beginning of the second movement, there are no further articulations in the manuscript. The articulations in this edition do not need to be taken literally; a slur does not always mean legato – it rather represents a musical unit; slight tonguing won’t hurt the line. Likewise, the staccato dots do not always indicate short notes – they show upbeats which are not clearly visible, syncopations which could use emphasis or simply suggest separated eight notes (like in the theme of 1st movement). In general, larger intervals should be separated more clearly ; one will have to determine if they are accompaniment figures in argeggios (as is often the case in the bass part) or melodically significant lines. As the movements progress, the articulations in parallel or simi-lar passages were left out. A lot can be learned from this sonata, not only in regard to phrasing and articulation. And it is an extraordinary pleasure to play and perform it – the movements could hardly be more diverse in mood and character. To quote Forkel again: “One cannot say enough about their beauty.“ (SAB or SAT)

for 3 Saxophones (1 Alto- and 2 Tenorsaxophone or 2 Alto- and 1 Tenorsaxohpone)

3 altsaxofoons. Dit boek bevat acht moderne canons voor 3 blaasinstrumenten en piano (bas ad libitum) in diverse stijlen.

Moeilijkheidsgraad: Eenvoudig-gemiddeld

alt/alt/tenorsaxofoon. De zes moderne trio’s in dit boek zijn op een heel flexibele manier te gebruiken. Ze zijn geschikt voor leerlingen die zo’n twee tot tweeënhalf jaar les hebben. Inclusief losse partijen.